Welcome to the Schapelle Corby Media project. The rationale for the project and the objectives of the project are detailed on our introductory page.

The need for such an initiative is evident from even a cursory examination of the media publications and broadcasts over a number of years. Equally, serious criticism of the Australian media is now widespread and international. The YouTube film embedded on the front page for example was produced in the United Kingdom. A similar film has recently been produced in the United States.

Even Civil Liberties Australia (CLA) have commented: "The real story is how a young powerless woman is being imprisoned for a crime that she probably had nothing to do with. But the Australian media have become her persecutor"

Neither is it a question of the odd rogue article or broadcast: it has been systematic. We have seen countless examples of unsubstantiated allegations and in some cases outright lies. We have seen widescale censorship, in the form of hard news stories being completely ignored.

For any ethical journalist this is deeply disturbing. The fact that it has continued for so long reflects upon the profession as a whole.

The project will investigate and examine all aspects of this. It will probe the origins, explore the nature of editorial policy, examine the role and motives of individual scribes, and expose many of the specific smears and abuses.

It will seek and expose truth: truth being a pre-requisite to even begin to address this sorry situation. The project is essentially a service to journalism itself.

Tranche 1:
Fairfax Media Limited, News Corporation, AAP, Seven Network, Nine Network, ABC, Ten Network.

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A full investigation into the reporting of Eamonn Duff, of Fairfax Media, has recently been published by The Expendable Project. The disturbing, Primary Smear Report, can be viewed here, in its entirety.


Just a few weeks ago, I came across the piece below in XenoxNews (http://www.xenoxnews.com), which was originally titled "The Anatomy of A Smear". It refers to an SMH report of Sunday 30th November 2008, and parodies its construction:
    A Lament for Journalism - aka The Art of Opinion Management

    Mr Ed: "Ah, young Harry, we could do with a bit of a story on Corby, and there's something supportive going around the net channels which is in danger of catching people's attention".

    Junior Scribe: "So it's best to cover it in some way, so as to cover our tracks, just in case?"

    Mr Ed: "You've half got it son. It's your first on this case isn't it? Do you know how to write it?"

    Junior Scribe: "I've got a couple of ideas, sir"

    Mr Ed: "Throw a few words in at the start to imply that it's edgy and probably irrational. 'Notoriety', now that's a good one, and call it 'political'! Make sure you re-enforce the term "convicted drug smuggler" to imply that she is somehow guilty, without ANY reference to what actually went on in the show trial. In fact NEVER refer to the show trial whilst you are working here.".

    Junior Scribe: "Yeh"

    Mr Ed: "And be sure to play down the increasing international concern about the lack of any action to help her. I know what to do: blame a film! What a good idea, if I say so myself."

    Junior Scribe: "Sure thing"

    Mr Ed: "End it with one of the old smears to signal to the readers that she is guilty and somehow deserves it"

    Junior Scribe: "Any in particular?"

    Mr Ed: "Use the Dad. He's dead so he can't sue us (and that's a decent tip for future stories by the way son). Use the lag, and his fictitious claims that he was some sort of massive drugs baron."

    Junior Scribe: "I take it you do actually know that a certificate of 'no disclosable outcomes' for him was issued by Queensland Police, and about their total lack of any interest at all in this mythical international drugs ring? And that you do know he was of very meagre means, especially for an international drug baron?" (sniggering). "Won't the public put two and two together?"

    Mr Ed: "As if we are ever going to tell the public any of that, stupid boy! What they never see they will never know."

    Junior Scribe: "Ha ha, I've got it now"

    Mr Ed: "That lot should help to marginalize the impact of this Schapelle Song thing, and keep the process of opinion management moving along nicely.".

    Mr Ed: "Ah, and yes, make sure you mistype the URL of the song link itself, so that the punters can't get to their turf easily. That's important."

    Junior Scribe: "I'm there. I've got all of that"

    Mr Ed: "Good lad"

    And Junior-Scribe's finished article?

    New York songbird's lament for Schapelle (Source: The Sun-Herald) (http://www.smh.com.au/news/national/new-york-songbirds-lament-for-schapelle/2008/11/29/1227491892588.html)

    AN AMERICAN musician has gained notoriety after penning a political song about convicted drug smuggler Schapelle Corby. New York-based singer-songwriter Tara Hack has attracted rave reviews and 1000 hits o­n YouTube after releasing the track earlier this month.

    Titled Saya Tidak Bersalah, I'm Not Guilty - Corby's final words before being sentenced - the song highlights her imprisonment and attacks the Australian Government and the media for their lack of support for the 31-year-old Queenslander.

    It includes the lyrics: "She touched down, she didn't get far/ she got framed in Denpasar/ she planned to stay at a fine hotel, but her stay in Bali turned into hell/ take two weeks on a fine vacation, spend nine hours in interrogation/ a one-way ticket straight to heaven, she won't get out until she's 47."

    Hack, described by US music website Top40-charts.com as a "highly acclaimed indie-pop artist", said: "I hope that in even the smallest way this song helps to bring awareness to Schapelle's horrific situation. I hope it is a tiny step to give Schapelle back the voice that was so cruelly and unjustly stripped from her."

    Corby was thrust into the US spotlight in June last year following the screening of a documentary titled Ganja Queen o­n HBO, filmed during Corby's 2005 trial.

    When a longer two-part version was screened in Australia, it reignited debate about Corby's guilt or innocence, largely due to convicted drug smuggler Malcolm McCauley, who said he knew the truth. McCauley was arrested in November 2005 when a police raid o­n his Adelaide home uncovered evidence of trafficking and pictures of him visiting Corby in jail. He served 15 months for his part in transporting 100 kilograms of cannabis to Queensland.

    In an exclusive interview with The Sun-Herald, McCauley said Corby's late father Mick had been the Queensland-based recipient of his drugs since 2000. He spoke of a "well-oiled machine", involving Mick Corby and Bali airport security personnel.

    Hear the song and watch the video at http://www.youtube.com/watch?v=c-EENMoK9tA.

The SMH story is attributed to SMH employee Eamonn Duff, who I presume is "Junior Scribe" in the Xenox version. Ridicule though is perhaps the least he deserves.

Here, he essentially produced yet another re-run of a serious smear, which had already been debunked on a number of occasions. Presenting claims by a convicted criminal as though they have credibility, whilst ignoring the referenced certificate issued by Queensland Police and the comments by operational detectives that the claims were "laughable", appears to expose the standards to which Mr Duff works.

This was a story about a song: a talented artist on the other side of the world creating something extraordinary to support a suffering Australian. But he used it to re-enforce a message that had already been wholly discredited, and perversely to self-congratulate SMH for the offending "exclusive interview"!


So, fellow journalists, shall we perform an elementary 'subject interview' as a class exercise, and construct some sensible questions for Mr Duff on his eloquent masterpiece? How about these just for starters:
    Was that much trumpeted "exclusive interview" with convicted criminal McCauley paid for, Mr Duff?

    If so, how much was he paid?

    Did you not check his credibility with the police Mr Duff?

    Why no quote from the police at all in your "exclusive" story Mr Duff? Wouldn't a quote from the police strengthen your story? Or is it that you believed that their comments would blow your story away as a blatant smear?

    Please allow a fellow journalist to assist:

    Do you see what he did there? He simply asked the police. That's what journalists do: they investigate the truth.

    Why didn't you contact the lead subject of this story, Tara Hack, for a comment (and you didn't, because I checked)? Was that because you were too focused upon the objective of re-delivering a smear?

    Did you obtain the Michael Corby police certificate Mr Duff?

    If not why not? And if so, why didn't you mention it?

    Allow me to help you again. Here it is:

    Isn't the truth that the "exclusive" was wholly manufactured via the first drug runner who came along making such damaging claims, and that you avoided seeking credible substantiation like the plague, because you knew what the outcome would be?

    Further, that you now re-run this smear as legitimate, even though you are well aware that it is bogus?

Perhaps even more pertinent:
    Did you add the re-run of the smear to this story of your own volition, Mr Duff?

    Or were you told to add it by your editor, or via editorial policy, as suggested by the Xenox article?

    Do you have any idea how much damage 'stories' like this one do to the international reputation of Australian journalism?

    Do you ever examine your conscience regarding the effect smears like this one have on the welfare and life of Schapelle Corby, Mr Duff? If the objective was to seriously harm the chances of a woman in turmoil struggling to survive, it appears to have been devastatingly successful. Congratulations.

Ok, perhaps the last question was a little out of scope for our class exercise, but I am sure fellow journalists will agree that the implication isn't unreasonable in the circumstances.

I am not picking on you Mr Duff, I am simply exposing the nature of your "story" and your role because YOU are attributed with writing it. Having said that, I am still investigating some of your previous 'stories' which are of similar stature, and which I will no doubt feature later: along with others by scribes of similar standing to yourself. Have a good day, Mr Duff.


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